Dodie: Monster in the room
There’s a reason I’m such a fan of both Dodie and Pomplamoose, and their collaboration on Dodie’s breakup anthem, “Monster,” perfectly showcases why.
There’s a reason I’m such a fan of both Dodie and Pomplamoose, and their collaboration on Dodie’s breakup anthem, “Monster,” perfectly showcases why.
The West Wing first premiered 25 years ago, and left an indelible mark on both television and American political culture. As I look back the series, it’s worth reflecting on its characters, its political themes, and how the world has changed since its debut.
I went overboard when asked to do a script pass for a Star Wars fan film. But ever Star Wars film needs a twist, right?
In the smorgasbord of television dramas, “The Bear” emerges as a flavoursome offering that’s both raw and refined, a hearty stew of dysfunctional found- and blood-family, gorgeous food, and the frenetic pace of the culinary world.
“Bluey” is an Australian animated series that stands out as a shining gem that captivates the hearts of both kids and adults.
“Office Space” is a timeless satirical comedy, cleverly mocking corporate life while remaining relevant and hilarious to this day.
Dodie creates ethereal music with deeply introspective lyrics, resonating profoundly and evoking vulnerability and strength.
Gotye’s “Somebody That I Used to Know” is a twelve-year-old masterpiece that achieves deep emotional resonance through its haunting melody, poignant lyrics, and raw, heartfelt expression.
A reflection on life’s messiness, “High Fidelity” remains a cherished guide and a testament to the enduring power of cinema.
Take the plot, dialogue and style of a 30s crime-noir, with a hard-nosed detective, a femme fatale, drug lords and enigmatic informants, and transpose it all to a modern-day High School.
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